Not only Nemesis and Mr X: immortal stalkers and chasing enemies in turn-based JRPGs

Being chased by an enemy almost impossible to defeat, relying on hiding or running away as the only chance of surviving, is one of the most extreme feelings in survival-horror games. And if famous pursuers such as Nemesis or Mr. X from early Resident Evil games, or Pyramid Head from Silent Hill 2, are the most iconic examples, other games such as Clock Tower made escaping an immortal stalker the core element of their gameplay (and you can read more here: https://surrealandcreepy.wordpress.com/2021/04/10/best-indie-games-similar-to-clock-tower/). However, pure horror games are not the only example where immortal stalkers are present. And sometimes, you can even experience this anxiety in very unexpected genres.

It is the case of turn-based JRPG, a genre usually associated with slow and static games, which instead surprisingly show several examples of immortal pursuers. As expected, several of these creatures come from Atlus games, the developer of the most known horror-themed JRPGs such as Persona and Shin Megami Tensei. On the other side, it is also true that some similar enemies can also be found in less horror-themed JRPGs such as Final Fantasy. Because I think everybody remembers the robot spider from the beginning of FF8. Moreover, this is especially true for more recent horror JRPGs, especially Idea Factory games, and even more fitting for dungeon-crawlers. Probably because of the mazes to explore, or the first-person view, dungeon-crawlers have a huge selection of immortal stalkers, chasing you till an unexpected dead end. And if instant death once trapped is not that different from any survival-horror games, being stuck in an almost impossible-to-win turn-based battle has a completely different taste. And if you find difficult to imagine that, try to think about the pressure of selecting the best move hoping to survive, while the creature annihilates at each turn a different character, or about attempting to escape the battle but failing each time. Moreover, random battles and turns create a denser atmosphere, because you don’t know how many different attacks the creature could do, or when it could appear. Another very interesting concept is that, while in pure horror games there is always a scheduled encounter to kill the immortal stalkers, in JRPGs this could be instead level-based. So maybe 50 levels later, when you are strong enough, you can come back to the stalker that was terrifying you early on to finally kill it.

So what will be on this list? I selected examples of immortal stalkers from different JRPGs, especially if horror-themed, and all with turn-based battles. If not, there would not be much different from pure horror games. The selected creatures should be also almost impossible to defeat, especially when met for the first time, and able to quickly annihilate the party. They should also be active stalkers, or appearing only when connected to rare or unwanted events or mechanics, in fact acting as a negative reward.

Mary Skelter – The Nightmares

Mary Skekter is a trilogy of dark dungeon-crawlers where everything is horror-themed. Not only the games are set inside a colossal living being but also blood is a central element in the gameplay (more info here: Mary Skelter Nightmares: When the dungeon is a colossal living creature with its own needs). But what truly shines as pure horror gameplay are the Nightmares, the immortal stalkers at the core of the experience. Every dungeon has its Nightmare patrolling around, disturbing creatures that are, at the beginning, impossible to kill. They will randomly appear when the player explores the dungeon, accompanied by creepy sounds and a white aura. If they spot the party, the only chance of surviving is to run away as far as possible till the chase is over. The worst thing? The map will be disabled during the chase, so you can easily finish trapped in a dead end. In battle, each Nightmare has an external shell that can be destroyed to briefly stun them, facilitating the escape. However, if random battles happen during the chase, the nightmare will join the fight, creating a very challenging situation. A Nightmare can only be truly defeated after losing the immortality, which will happen by destroying a core at the end of its dungeon. Moreover, the Nightmares are also seriously creepy and disturbing in appearance, linked to the theme of each dungeon and the background of the main heroine there, thus incorporating twisted fairytale elements in their grotesque design. If you are curious about more details, I also wrote a long analysis about the Nightmares, which you can check here: The Nightmares of Mary Skelter: fairytale characters reborn as twisted immortal stalkers.

Undernauts Labyrinth of Yomi – Luci

Undernauts is another dungeon-crawler JRPG, set in 1979 Tokyo where a mysterious structure appeared in the middle of the city. Full of dangers but also resources, soon mining companies start to explore this huge dungeon to unveil its secrets. Developed by Experience Inc, Undernauts is somehow connected to their main series Stranger of the Sword City. However, Undernauts is much more horror, violent, and disturbing than their other RPGs. Let’s just say that the first scene inside the game sees you as the only survivor of your mining expedition, which was was devoured by a kid with a giant leech-like arm. And you survived, only because the child was too full to eat you. While wandering around the dungeons, you will soon meet again that “sweet” cannibal child that spared you. Her name is Luci, an immortal child with a giant leech-like arm, which follows the orders of a mysterious man from a radio around her neck. While exploring the dungeons, you could randomly hear a radio massage of the mysterious man sending the girl to devour the party. After the message, whichever random or stationary battle in the dungeon, will be instead against Luci. So the only way to surely avoid this fight is to quickly run back to the main camp before a battle starts… and this is pretty stressful while exploring. During the fight, the little girls seems so weak and yet so disturbing. But she has the bad habit of attacking the rear row, usually quickly killing your magician or healer, thus making your life pretty miserable even if you succeed in repelling her. Yes, I didn’t use the word “killing” because Luci is immortal and, after behind defeated, she will just stand up and run away, after saying some very sad lines about failure and loneliness. But she will surely come back another time, trying to devour you. Moreover, Luci will also appear in some mandatory boss battles, together with other minions and the ability of massively healing, making such fights even more difficult. Without doubts, Luci is one of the most scary and disturbing stalkers on this list.

Persona – The Reapers

Persona started as a spin-off of Shin Megami Tensei, and now is more famous than the original series. Mixing real life and dark supernatural events, since Persona 3, the saga allows the exploration of huge dungeons while investing in your daily life. And also starting with Persona 3, the Reaper appeared to torment the main party. Especially in Persona 3, the Reaper is a pure horror stalker, integrated since the beginning of the game into the mechanics. If you explore for too long in a dungeon, depending on its size, the Reaper could appear on the floor to hunt you down. Since characters with levels below 70 have practically zero chances of defeating it, finding the exit as fast as possible is the only way to avoid death. Meeting the Reaper means starting an impossible battle, where the party will be annihilated in a couple of turns. The good side is that an end-game party can instead defeat the Reaper, unlocking very rare rewards. The Reaper is also present in Persona 4, but this time it acts only as a secret super boss, which can be faced only during a second playthrough after opening a mysterious chest. In Persona 5 the Reaper is back to stalk the party inside the dungeons, very similarly to Persona 3. When the Reaper appears, accompanied by the sound of rattling chains, the other party members will try to warn you about its danger, and how running away is the only option. Again, the battle is almost impossible to win due to the Reaper’s high defence and instant killing spells.

Etrian Odyssey – FOEs

A JRPG saga that truly integrated challenging battles against almost impossible foes is the dungeon-crawler Etrian Odyssey, published by Atlus. In almost every game of the saga, strong enemies called by the acronym FOE wander around the dungeons. They are always challenging enemies, usually very difficult to beat during the first visit, so it is always a recommended strategy to avoid these fights. However, Etrian Odyssey also integrated very interesting and variegated behaviours for the FOEs. In general, red FOEs work as relentless stalkers, charging at the player if in their sight. For example, the Freed Savage (Etrian Odyssey III) is a grotesque being caged behind gates but, once freed, the creature will quickly run toward the player to attack it. Other similar examples involved FOEs acting in pairs. For example, the Cruel Slayer (Etrian Odyssey IV) is a relentless robot hound almost impossible to outrun, but it will only start to track the players if they are spotted before by a wandering sentinel called the Cold Watchman. However, FOEs also exhibit more complex, hunting, and disturbing behaviours, creating challenging predators to avoid. A deadly example is the Vampire Tree (Etrian Odyssey III), an invisible FOE with a very horror-predatory behaviour. The tough monster will get visible only if close to you while you are in battle, slowly advancing at each turn of the fight. If you are too slow in the random fight, the FOE will join the battle. And having a tough boss with high defence, and a lethal poison that will both damage the characters and cure the monster, is not an easy challenge. Talking about erratic patterns, the disturbing Taurus Demon (Etrian Odyssey V) doesn’t directly charge the player, but once they line up with the monster, the FOE will start to mirror their movements, even if they are very far away. And since the creature is a deadly physical attacker, avoiding it is a necessity. Another deadly and peculiar FOE from Etrian Odyssey V is the Mounting Horror. The monster doesn’t move from its position, but will instead generate clones as strong as it to hunt the player, and the only way to survive is to find and kill the real monster. But the top spot for the scariest and most peculiar FOE from Etrian Odyssey goes to the Death Wall (Etrian Odyssey 2 Untold). Imagine being trapped in a twisted labyrinth typical of dungeon-crawler games, trying to find your way out. At some point, maybe you start to see that a wall was never there. What is happening? This is simply Death Wall, a FOE that mimics a normal dungeon wall… which will move only if you are not watching it. And once you are trapped in a dead-end hallway, you are forced to face it. And this is a battle where you cannot escape, and the Death Wall will literally try to crush all the party with strong physical AOE attacks.

The Lost Child Nyarlathotep

Another dungeon-crawler to add to the many on the list, Lost Child is a spin-off of El Shaddai, an action game involving Catholic mythology and angelic wars. Sharing many similarities with Shin Megami Tensei, in The Lost Child, the main character can trap demons and fallen angels to fight in the party. And the design of the enemies is very original and interesting, as you can see here for some demons: The most unusual Demons from the Japanese dungeon-crawler The Lost Child. However, angels and demons are not the only enemies, since the main bosses are Lovecraftian creatures, including Cthulhu. And Nyarlathotep from the bonus dungeon R’lyeh Road is an immortal stalker that deserves to be in this article. R’lyeh Road is a gigantic bonus dungeon of 100 floors, which can be faced at any point during the game. Each floor has only one exit, and a switch to open it. And the big twist is the presence of Nyarlathotep, which will manifest on every floor once the door is open. Nyarlathotep does not physically face the party but, as a sort of alien parasite, will take control of normal enemies, appearing behind them like a sort of puppeteer, enhancing them to a boss-level threat. The other unique feature is that Nyarlathotep will physically appear on the map, charging toward the player, one step at a time. By planning your moves and using big rooms to your advantage, it is fact possible to avoid Nyarlathotep and escape to the next floor. So how it is possible to truly defeat Nyarlathotep? You can discover the answer only on the 100th floor of R’lyeh Road, making Nyarlathotep one of the most relentless stalkers on the list.

Mother 3 – Ultimate Chimera

Earthbound saga is a cult game not only in Japan, but also worldwide, one of the weirdest RPG ever developed that influenced recent RPGs such as Undertale or Omori. Between funny and disturbing moments, the party will face different creatures, each requiring very peculiar strategies to be defeated. And in Mother 3, there is also an immortal stalker: the Ultimate Chimera. This creature, created inside a lab, looks like a fluffy pink monster with a pair of small wings. But behind this innocent-looking monster lies a deadly enemy. Once it sets free, the monster will roam the lab attacking NPCs and chasing the player. The terrible surprise is that, instead of starting a normal battle, meeting the Chimera means an instant Game Over. There is no hope in fighting the creature, so running away is the only alternative. Luckily, the ultimate Chimera can be deactivated by a button on its back… but only temporary since the party will meet the monster again during the game.

Death end re;Quest 2 – Dark Shadow

The sequel of one of the most horror and disturbing JRPG from recent years is even more insane and terrifying. Hopping between a cursed virtual reality and a town hiding a cult, Death end re;Quest 2 shows a set of really grotesque enemies (that you can check here: The most creepy and disturbing enemies and bosses of Death end re;Quest 2). But random enemies are not the only threat, since another entity could appear anywhere to hunt the party: the Dark Shadow. This cryptic creature appears together with some distortions in any point inside a dungeon. The towering shadow creature advances slowly toward the player, but a mere wrong turn inside a dead-end hallway… and it is Game Over. Because as with the Ultimate Chimera in Mother 3, simply touching the Dark Shadow means a sudden death. Moreover, sometimes the game will position the Dark Shadow in impossible points, where gimmicks like finding hidden suspended paths are the the only way to avoid the creature.

Shadow Hearts – Fox Face

Shadow Hearts is the first (or the second, if we consider Koudelka) entry of a dark saga of JRPGs released for PS2. Mixing European history with demons and eldritch abomination, the game knew how to assemble RPG mechanics with horror elements. And an immortal stalker could not miss this setting. Shadow Hearts involved a very peculiar mechanic around the Malice, a dark and malevolent energy released from death. The more the main character kills enemies in battle, the more Malice is accumulated. Till the breaking point, where the UI becomes red and the Graveyard opens its door. At this point, the Fox Face can appear instead of any random encountered. At first, the creature is not very intimidating, merely a human with a fox mask. However, this adversary represents the protagonist’s fears, and can be challenged only in a 1-on-1 combat, where death is the most possible outcome since the enemy has many dirty moves. The player can lower Malice and avoid Fox Face by going to the Graveyard, to then speak to mysterious floating masks demons and participate in their fighting arena. This is a perfect example of a terrifying stalker very well integrated into the game, so deadly and scary because the main character must face it alone.

Fear & Hunger – Crow Mauler and Greater Blight

Fear & Hunger is probably the darkest RPG ever made, set in a world so grim and sick that will make you often chill. Featuring a combat based on mutilations, where several negative effects are permanent, including death, and lacking any experience coming from combat, avoiding enemies is the standard in this game (and for more you can check the different articles I wrote here: https://darkrpgs.home.blog/category/videogames/fear-hunger/). But some enemies are even more specifically design to act as terrifying Stalkers. The most fitting example is the Greater Blight, a gigantic creature roaming the empty wasteland of the Void, a secret end-game area. While wandering around, sometime a message saying that something is following you will appear. Ignore the message, and soon enough more intimidating ones will appear. If you find a hole in the ground on time, you can hide there till the creature loses your scent. Otherwise, be ready for a tough battle. The Greater Blight looks like a gigantic T-rex missing the eyes, a deadly foe that can slaughter the entire party in a couple of turns. However, a strong and lucky party can still defeat the creature, which will only escape to prepare for another chase. And the player will gain nothing from this deadly battles, except probably for dead characters and mortal wounds. Another infamous enemy is the Crow Mauler, probably the most hated boss in the entire game. In the beginning, Fear & Hunger has only one save point, an old and forgotten bed inside a jail. However, saving in the game is also dangerous, since you have a 50% chances of facing the Crow Mauler. And an underprepared party will also surely die there, because the tough creature has even one-shot attacks. But if you want to freely save the game, soon or later you must defeat this creature. And if this was not enough, the end-game dungeon has trapdoors scattered around. If you fall inside them, you will finish in a basement… chased by a two-headed Crow Mauler, an enemy almost impossible to defeat. Anyway, if you are curious to know more about the Crow Mauler, I wrote an analysis here: When it is impossible to Save: surviving all the mutilations of the Crow Mauler in Fear & Hunger [Boss Battle].

Shin Megami Tensei – Jailer and Dante

Shin Megami Tensei saga doesn’t need introduction, since it is probably the most famous and longevous dark JRPG around. Moreover, the monsters based on mythologies around the world, created by Kazuma Kaneko, are still now an example in monster designing. And surprisingly, some of them also worked as immortal stalkers. An example is the Jailer from Digital Devil Saga (also known as the Buddhist demon Kumbhanda), a deviant creature in charge of a prison. The jail is also a factory where humans are converted into canned food, the Jailer’s favourite. And yes, if you didn’t know, cannibalism is a central theme in Digital Devil Saga (and you can read more about it here: Digital Devil saga: A cannibal JRPG — Surreal and Creepy). During the first battle against the Jailer, you will realise of a drastic anomaly: the boss has an attack able to paralyse everybody with a 100% success rate, quickly ending the battle. Later on, the prison becomes its hunting ground, where the main character should physically escape from the Jailer and its traps, while finding a way to trick it into losing its powers. If the Jailer is a pure horror stalker, another enemy is an even more emblematic hunter in Shin Megami Tensei. Just this time, it is an enemy that you would never expect. “Featuring Dante from the Devil May Cry Series” became quite a meme for SMT 3 Nocturne, and the legendary demon hunter from Capcom’s games truly appears in one of the bonus dungeons. Dante will literally stalk the player while exploring a complex maze, shooting them if they are far but still in his range, or starting a deadly battle when reaching them. In the last case, Dante will immediately kill the weaker demon in the party with his sword. And if the main character is the lowest-level one… well, time for an instant Game Over.

Persona Q – FOEs

Persona Q is a spin of the main series released for 3DS, with a gameplay more similar to Etrian Odyssey than the regular Persona. The similarities are so many that, even in this case, while exploring the dungeons, you can meet deadly FOEs. As well as for Etrian Odyssey, FOEs have different behaviours, and, in general, it is often recommended to avoid them. Moreover, due to the darkest nature of Persona setting, the FOEs are even more disturbing. For example, the Beast of Lust is a sort of small Cherub seated on top of a bondage horse, creating a very disturbing enemy that follows the player if they are directly watching the creature. So no eye contact, no pain. In the next dungeon, the Evil Spirit Club, the party must face creepy clusters of dolls, the Lovely Dolls, which share some similarity with Junji Ito’s Tomie. They are stationary, but tends to surprisingly teleport toward the player causing a jump-scare. Luckily, the light can repel those dolls granting safe passages. And if the Loving Dolls are not enough, the ancient version, the Old Doll, will actively chase the party and can even block some doors to create smaller hunting grounds. Other FOEs, such as the Festival Dudes, act as super tough side battles. They are a group of 4 monstrous and coloured muscled guys bringing around a shrine, which move in a fixed pattern around the dungeon. However, even if they are extremely strong, they can be defeated by selecting specific characters for a very unusual party. To conclude, the Reaper from previous Persona games is also there to hunt and terrify the party in the last dungeons.

A JRPG boss that looks like escaped from Silent Hill: surviving the 4 stages of Dominus Circus from Scarlet Nexus [Boss Battle]

Scarlet Nexus has quite simple mechanics for a JRPG, but what it lacks in gameplay is amply balanced in terms of lore and enemy design. Because the antagonists of Scarlet Nexus, called The Others, could easily join the roster of creatures of a never-released Silent Hill game.

Every creature is a chaotic mix of random items, such as vases, and human parts, especially female legs. The elements are combined together in the most grotesque and surreal way, creating figure that could be part of a Dalí or De Chirico’s painting. In fact, the creatures are created by the modern Japanese artist Masakazu Yamashiro to convey the most alien-looking aesthetic.

While many Others show truly interesting concepts, the most disturbing and brilliant design is always Dominus Circus. One of the last bosses of the main story, the creature will suddenly appear in a giant labyrinth inside the mind of the main antagonist. The monster never appeared before, and only a brief cutscene before the battle provides a barebone background of its past. The only provided information is that Dominus Circus is a immortal Other that was never defeated, a boogeymen for all the soldiers in Scarlet Nexus’ world. And soon after this cutscene, the player should be ready to face the terrifying creature.

The introduction of Dominus Circus is a disturbing surprise. In the beginning, the boss appears only as a sort of classic ghost, a humanoid figure covered under a white shroud. Then, after starting to rotate, the creature will reveal multiple human legs on a monocycle. But only after reversing upside-down, the real monster is revealed: a complex humanoid architecture kept together by thin horse legs. According to Masakazu, Dominus Circus is the climax of the Others’ anatomy, a creature so alien and bizarre to represent the ultimate Other. And from this apex symbolism comes the name “Dominus,” a being almost looking like a disturbing pagan god. The “Circus” part of the name is even more evident, since many details of the design are inspired by the circus, from the umbrella remembering a tent, to the monocycle of the upside-down creatures and the elephant head.

To have a glimpse of the complex and disturbing design of Dominus Circus, you can have a look at the creepy intro in the video below.

The battle against Dominus Circus is one of the hardest of the entire game, especially because it will challenge your memory in 4 long stages. In fact, each phase needs a different approach, and the specific use of supporting characters. This is because, in Scarlet Nexus, connecting with secondary characters unlocks special abilities, including hyper velocity to slow time, telekinesis, or teleportation. The correct use of different powers is necessary to overcome the main obstacle of each stage of this long and complex battle.

During the first stage, Dominus Circus wields a big umbrella as main weapon. With this bizarre spear, the creature looks even more whacky. However, regardless of the appearance, this is probably the most challenging form. In fact, the umbrella will not only completely shield the boss from frontal damages, but will also erupt a water jet that inflicts heavy damages while also knocking the characters down. Moreover, the rotating lower body can also become a deadly drill that the boss uses to charge at the characters to inflict huge damages. And if this was not enough, Dominus Circus can also summon a gigantic water storm, so gorgeous to see as deadly to experience. Using quick skills to jump behind its back, bypassing the umbrella shield, is crucial to kill the first phase.

After each form is defeated, for a brief instant, the small ghost-like figure on the monocycle will appear, completely harmless. Then, it will fall on the ground, disappearing below, just in time for a new dangerous form to remerge.

For the second stage, Dominus Circus has no weapon, but instead it proudly wears a disturbing elephant head. As you can expect, this is the deadly weapon of the second stage. From the trunk, the boss can shoot different kinds of projectiles, including oil. Moreover, Dominus Circus can also summon a thick mist, which completely hides the creature. Using the clairvoyant skill is essential to counter this move and see through the mist. The second stage is very disturbing and intimidating, but luckily less challenging than the first one.

For the third stage, Dominus Circus will be again headless. However, this time, instead of an umbrella, the boss wields a disturbing sword, which looks like made of a combination between a seashell and multiple human arms twisted together. If the other forms are creepy, just looking at how this fleshy sword bounces in its hand is pure nightmare inducing. During this stage, Dominus Circus shows, as expected, dangerous melee combos, which can easily and quickly kill a character. More unexpectedly, the sword can also throw wind-waves, also working very well as a distance weapon. With a good timing while dodging and a balanced use of powers, this stage is not so difficult to overcome.

Now that the 3 main forms are defeated, it only misses the last stage, in which Dominus Circus will combine all the previous weapons and attacks. Yes, you read right, every move and ability will show off in the final stage. So the elephant head to shoot projectiles and create mist, the tricky umbrella to shield from frontal attacks, and the deadly sword, everything packed together in a complex battle that will test your memory and reaction times. Once the combined form is defeated, after a stylish execution, Dominus Circus will be finally and truly dead.

Scarlet Nexus shows since the beginning a set of very creepy and disturbing creatures, but is only with the long and complex battle against Dominus Circus that it clearly shows its climax.

When your average JRPG protagonist becomes a grotesque monster: how Ripper Jack in Mary Skelter 2 works [Mechanics]

The first Mary Skelter was a pleasant surprise, a really dark dungeon-crawler JRPGs, where fairytale-inspired characters are imprisoned in a living environment, forced to fight by using blood. And if this was not horror enough, the gameplay is also influenced by this gigantic living ecosystem (as you can read in a previous article here: Mary Skelter Nightmares: When the dungeon is a colossal living creature with its own needs), while immortal monsters stalk the group like a proper survival horror (and here an analysis about these Nightmares: The Nightmares of Mary Skelter: fairytale characters reborn as twisted immortal stalkers). However, the sequel was released in the west only on Nintendo Switch. Luckily, it recently became available also on STEAM, so more people can try it.

Mary Skelter 2 is really difficult to describe without spoilers. Because for almost the entire game, the player who previously played the first game has no idea of what is happening. In fact, Mary Skelter 2 is altogether a prequel, a sequel, and a remake. And why some things are the same, some will drastically change. This is especially true for Jack, the only male protagonist.

In the first title, Jack was the classical “good boy who cares for a complicated girl” inside a harem of female characters. However, his function was unique and essential, since by managing the use of his blood, the player could avoid the girls to fall into a deadly frenzy. It was an interesting balance: shoot too much of Jack’s blood and he will go KO, but by being too strict you risk that your party will self-annihilate in a bloody frenzy.

Even in Mary Skelter 2, Jack is essentially the same… but very briefly. In fact, Jack will suddenly transform into a Nightmare, a gigantic, obtuse, and grotesque creature barely able to talk. This insane twist will not only affect the story, but will also reflect on the gameplay. Nightmare Jack can only communicate with Otsuu, the new protagonist princess, and will share two turns with her.

The monstrous new protagonist act quite differently from his previous self. But he can still shoot blood to momentarily reduce the frenzy of the party. However, this time instead of affecting his body, the action will have a toll on his mental health. This time, Nightmare Jack has a bar representing his mental health, which will deteriorate the more actions he will take. Of course, there are ways to regain sanity, for example by walking around the dungeons without using his powers. Moreover, Jack can also relax on his own by spending an action to take a Deep Breath, reducing in this way his level of stress. But what will happen when Jack’s mental health completely deteriorates? He will truly become a rage-full Nightmare, attacking indiscriminately both enemies and allies. And yes, he is far more dangerous than any other party member in frenzy.

Luckily, Otsuu has also ways of calming Ripper Jack (a familiar name for his nightmarish version), and can in fact talk to him by using “Counseling,” an action to calm him down. The other girls can also try to Embrace him, hoping to calm him as well. But often, only a single turn of Ripper Jack could wipe out your party. Moreover, if Jack loses control three times in the same battle, there is no way to turn back. It is Game Over.

While hopping between sanity and deadly frenzy, Jack has also other interesting actions. While outside battles, he can use a power that in the first game was of Alice, allowing the player to create a Save Point everywhere, at cost of Jack’s sanity. While in battle, Jack can use a very special power: Nightmare Zone. This attack can change the course of a battle by completely inhabiting the enemy for one turn. But of course, such power will have a drastic effect on Jack’s sanity.

The sudden change of the good-boy Jack into his nightmarish counterpart strongly marks what Mary Skelter 2 is trying to achieve: a huge change inside the comfort of your pre-built knowledge. Everything is similar to the previous game, but there are also huge differences in the plot. What is happening in Mary Skelter 2? This question will need a lot of time to receive an answer. Nightmare Jack is a really peculiar protagonist for a JRPG, not only for his grotesque appearance but especially for his intrinsic danger. Managing the mental health of this character to help the party survive, while avoiding the appearance of Ripper Jack, is an interesting and unique horror mechanic. This is also reflected in the exploration, because if Jack’s sanity is already low, creating a Save Point could lead to your annihilation in the next fight.

Like the previous entry, Mary Skelter 2 offers a unique combination of dungeon crawling and horror, plus some interesting new mechanics, and a twisted plot that is quite difficult to figure out till the very end.

Tortures, snakes, and blasphemy: the lore of Volcano Manor in Elden Ring — Surreal and Creepy

Elden Ring is surely a surprise, the quintessential of Souls-like games set in a gigantic open world. If previous Fromsoftware’s games were full of creepy enemies and cryptic lore to analyse, the huge world of Elden Ring has an incredible amount of secrets to discover. Between decadent families of demigods, different continents, mysterious characters, mystique […]

Tortures, snakes, and blasphemy: the lore of Volcano Manor in Elden Ring — Surreal and Creepy

When your vacuum cleaner becomes a gigantic menace: fighting against a giant vacuum cleaning robot in Yakuza Like a Dragon [Boss Battle]

Yakuza Like a Dragon (YLD) is a brilliant new entry in the Yakuza franchise that completely changed the gameplay from brawler to classic JRPG. And the result is a brilliant masterpiece, combining a dark and grim crime story, with out-of-mind humor and very likable characters. Moreover, on the gameplay side, YLD creates a complex and complete system, including many skills and jobs to interchange, dynamic turn-based battles, and even insane summons!

While the majority of enemies and bosses are thugs, weirdos, or crime lords, in some cases the game will go out of the ordinary with more complicated boss battles. For example, on a couple of occasions, the party will face industrial machinery, such as a wrecking ball, and even a tiger. But the game will always give its best in the nonsensical secondary quests that, sometimes, will also end up in insane boss battles. And this is exactly what happens with the battle against Sojimaru, a gigantic Roomba that went berserk and is trying to vacuum clean everything.

The insane quest that will bring to this crazy fight is called “Preparing to Suck.” In the beginning, you only need to provide funding for an eccentric scientist that created Soji, the best vacuum cleaning robot in Yokohama. After collecting the money, the scientist will show its progress: Sojimaru, a gigantic version of Soji aimed at cleaning the streets of Yokohama, while also providing coffee and massages to the people passing by. Then, of course, something will go wrong when the scientist will activate the hyper mode, sending Sojimaru insane. Before starting the actual battle against the gigantic robot, there will be space for nonsense comedy, where the robot will suck inside its body not only the scientist but also a kitten and an elderly woman! Just to don’t put pressure on your success.

The battle is a concentrate of pure madness in every detail, starting with the music. While the normal battles have a very standard soundtrack, the battle with Sojimaru plays boring and repetitive music, which sounds like the one that you can find in an elevator. But the explanation provided by the scientist is very straightforward: this is the music that Sojimaru plays when offering a massage, which now got stuck in a loop.

The proper battle against Sojimaru has multiple phases. In the beginning, the main body is impossible to damage, and the party should focus on the two more fragile extendable arms. The robotic arms will attack independently, each of them using a special move related to their function. For example, one arm will use a powerful fire-based attack, which consists in throwing a jet of incredibly hot coffee, like a sort of altered flamethrower. The other arm has installed the massage function, which now got altered in a deadly electric attack, like a sort of high-voltage taser. The friendly and serviceable robot transformed all its “to serve and pleasure humans” functions into deadly elemental weapons.

The main body of the gigantic cleaning robot is also able to independently attack, mainly by using a frontal extendable platform, which is also electricity-based, but definitively less dangerous than the arms. However, another attack is the highest danger while facing Sojimaru. The robot will create a sort of beam vortex, spinning and vacuuming the party members. The attack is visually very appealing, and also dangerous. In fact, this spinning attack can hit a character multiple times, and can even affect more than one character at a time. The deadly “Giant Slalom” can truly turn against the player the sort of the battle.

The long battle will move to the next phase after the arms are destroyed. The main hatch on the body will open, revealing a weak point in the military-grade defense of Sojimaru. By attacking this point, the player can finally damage the main body of Sojimaru. Moreover, the panel is also weak against electricity, which can be exploited to speed up the long battle. The enemy has a lot of health, and it is quite resistant to physical damage, so the battle will be a very long one. Luckily, without the arms, Sojimaru is less dangerous than before. It can still use the powerful rotating attack, but at least it will not attack multiple times in one turn.

However, the battle is still not won. After more than half of its health is depleted, Sojimaru will enter into another hyper mode, boosting its stats. This event is also accompanied by a comic scene, where the scientist will reveal that only a secret password can activate this hidden power mode… but since you beat Sojimaru too much, the mode got self-activated for the damages.

After finishing the quest, Sojimaru will be repaired and a “management” mode will be implemented to its key component. This means that the robot can now be recruited as an employee in the business management minigame of YLD. Yes, this is a strange game.

But the flights against giant vacuum cleaning robots are not over in YLD. In fact, there is a secret version of Sojimaru, called Seiso Shogun, hidden in a secondary dungeon in the sewers of Yokohama. According to the in-game Bestiary (called Sujidex, just to mock Pokemon), this Sojimaru version was stolen and modified by a hacker, creating practically a war machine. The fight is identical to the base Sojimaru, just much more difficult, especially now that the arms can inflict an insane amount of elemental damages.

In space no one can hear you die: Interview with Cradle Games, the creators of Hellpoint, challenging Souls-like with horror sci-fi atmosphere

Action RPGs are definitively a prolific genre these days, challenging games often inspired by Fromsoftware’s works for their mechanics. Due to their challenging gameplay, death is always ready behind a corner, and players will learn to advance cautiously. For this reason, “Souls-like” mechanics combine very well with horror or dark atmospheres. However, while many titles use dark fantasy worlds and characters to enhance the stressful environment, very few games try to build a completely different world. Now thanks to Hellpoint, action RPGs have a representative for horror sci-fi settings.

Hellpoint is an action-RPG set on a mysterious orbital station where something catastrophic happened. Between cosmic horrors, claustrophobic corridors, madness, lack of oxygen, and a gigantic black hole constantly imposing its presence outside the station, Hellpoint’s atmosphere couldn’t be more horror. The oppressive feeling while walking around the station exactly triggers all the right notes of a proper horror sci-fi product. Also in terms of gameplay, Hellpoint is a great addition to the genre, including nice variations such as firearms, insane weapons including the hand of an eldritch god, cosmic magic, and alternative dimensions where the main bosses offer dialogues instead of a brutal fight (you can read more here if interested about: Why fighting when you can ally with Cosmic Evil Gods in Hellpoint? [Evil Quests]). And the surprises are not over, because one year from the official release, Cradle Games studio, the Canadian team behind Hellpoint’s development, announced a new DLC called Blue Sun.

While waiting to step back into the claustrophobic tunnels of Idis Novo station, I had the possibility of interviewing Cradle Games to know more about Hellpoint and its development. Cradle Games’ designer, Mathieu Boudreau, was kind enough to answer my questions. Also known as “Gropwel,” Mathieu is a veteran in game development and worked before with Activision and Ubisoft before co-starting Cradle Games.

If you want to know more about the development of Hellpoint, how its atmosphere and system were born, and the future of the series, you should read the following interview with Mathieu and Cradle Games.

Q1: Thank you for the possibility of interacting with you. Hellpoint is an interesting new take on souls-like games, how did the project start, and how Cradle Games was born?

A1: Of course! The project took off in the Fall of 2015 when we founded Cradle Games with a couple of fellow game devs with which I’ve been working for over a decade at Ubisoft and Activision. It all started in my house basement where I concocted this strange dark sci fi universe and we were just obsessed with the new trend of hardcore games. I took all the ideas I’ve been carrying on from childhood from Doom 1993 and Super Metroid and it was on.

Q2: The oppressive sci-fi atmosphere is clearly one of the strong points of Hellpoint. Which movies or games did you use as a reference to create this horror environment?

A2: The main inspiration for the game world came from my love of old Swedish death metal like In Flames and Meshuggah who often incorporated elements of cosmic horror put on top of face melting riffs. Game wise it was 1993’s Doom and Super Metroid that I wanted to explore again, with that unrestrained old-school level design jam packed with secrets and the feeling of no hand holding, the strong feeling of isolation deep within an alien world.

When you are alone in a space station, finding a cult of demonic creature is never a good sign.

Q3: Souls-like games are definitely one of the most famous genres now, with amazing games both from big and small studios. While developing Hellpoint, which were your “to do” and “to don’t” things to create your personal view of Souls-like games?

A3: While we adore the Dark Souls series, it’s really Bloodborne that left the deepest trauma on our gamer mantra. To me the main character is really the game world, and it’s got its own story, logic and attitude so very early on we forgot about the soul series to build and expand our own thing. It’s a really fun process! But from the beginning we made it a point of honor to invent more new ideas and mechanics than we borrowed from existing game, so yes Hellpoint has a stamina bar and “bonfire” kind of checkpoints, but beyond that it is its own thing with the jump mechanic, the real time station orbit, the way we handle multiplayer, etc.

Q4: From the huge hand of a dead god to a scythe made from the bones of an interstellar whale: Hellpoint’s weapons are a true blast of innovative and well-integrated designs. Could you name some of the favourite weapons of your team?

A4: Oh, thank you so much! We’ve put a lot of love in the weapon design and really pushed it as far as was humanely possible for us. My personal favorite is Nemundis Occulus, I find it really bad ass to defeat a boss and then fight using his eyeball. I think the team is really into the new weapons that we’ve produced for the Blue Sun DLC. They are very YOLO.

Q5: Hellpoint is rich in weapons and monsters, but I am curious, were there some creatures or weapons that for some reason were cut out from the final release?

A5: Probably we should have cut more, hahaha! That was a lot of content to produce for our small 11 people team. But yes, there was some cut content but I’m glad to say we’re putting it all back in with the Blue Sun DLC.

Q6: A very unexpected feature of Hellpoint is that the Cosmic Gods are not only enemies to be defeated but, with the right choices, they can become allies and even provide quests. Why did you decide to implement this feature in the game?

A6: Well I think it’s an interesting aspect of the “Lovecraftian” cosmic horror genre that these giant entities are too massive to really give a damn whether we live or die. So it’s an achievement for the player to be able to interact with them in either ways. It also fitted with the concept of the “Underworld” which is an inversion of everything you find in the real world.

Sometimes you can talk with Cosmic Evil Gods, and sometimes you cannot.

Q7: Hellpoint is full of novel and interesting mechanics. One of the most interesting is how the orientation of the ship around a black hole basically defines “hours,” and specific events or places can only be accessed at a specific time. How did this concept evolve during the development of the game?

A7: Something that we always like to do when we make game is try to make it feel like the game world is ever evolving whether you’re in it or not. It’s not like the show Truman where the world revolves around you, rather the opposite. It makes the world feel more concrete, alive and unpredictable. But for Hellpoint, the black hole orbit system was a huge challenge! We had to plan many different game states and mods for environments that were already immense, we had to design a dynamic skybox that spins and twists realistically, we had to make correct maths for the spin of the Irid Novo station so that the black hole always looks glorious in the sky, we had to create many different sets of stat balancing and loot drop tables for every bosses and enemies… a bit insane but it paid off by making the game feel so unique and alive.

View of the black hole in the outer space from inside the space station.

Q8: Surely Hellpoint can be defined as a challenging game, especially some sections (personally still having nightmares about the zero-gravity sections outside the ship). How did you balance the difficulty? Were there some areas that were majorly revised due to being too difficult?

A8: To be honest for us it was rather the opposite that happened. Prior to Dark Souls the whole industry was in a “casual gaming” and “accessibility first” trend so we were very thankful to From Software for making hardcore games popular again. We cranked up the difficulty to make a very skill-based game but we also wanted players to be able to personalize their experience, allowing them to skip to late game environments if they find the right secrets, or letting them craft items that would allow them to lower the stats of the enemies. The character stats and upgrades are basically not capped at all. But the enemies are still savage and can be buffed if the black hole is in the sky. The game can be played in coop uninterrupted from beginning to the end, etc.

Q9: Recently, for the first anniversary, the DLC Blue Sun was announced for Hellpoint. Could you tell us something more of what deadly and lurking things a player should expect in the new DLC?

A9: I think we really outdid ourselves with this DLC! I can’t really say much but I really hope players will see how much we evolved as a team since last year. One thing I wanted to do is making sure the added content doesn’t feel tacked on and expendable, I wanted to make content that makes the whole game more exciting and motivates another playthrough, and make sure that we make it interconnected with the base game so it doesn’t feel tacked on.

Q10: Now that the DLC is coming out, I imagine this will be your main focus for some time, but I am curious, do you already have plans for a future game or a sequel of Hellpoint? Could you tell us something just to satisfy our curiosity?

A10: We’re on fire. We got tons of projects and ideas, we’re expanding, we can finally not worry about money so much and focus on crafting our art and working with our fan base. We got new IP’s in the work as well that is sure to make folks fall off their chair. I don’t think anybody can possibly expect what’s next for us. We want to concretize as many ideas as possible while we’re not too old. It’ll take time but it’ll be worth it.

Final Remarks:

I would like to thank Cradle Games for the nice opportunity, especially Mathieu for the very interesting answers. I look forward to diving again into the oppressive universe of Hellpoint with the new DLC Blue Sun, mentally preparing to slash new grotesque monsters using the eyeball of a cosmic god. While waiting for the new DLC, if you still didn’t try Hellpoint, it is available on STEAM and all the major consoles.

Eat dragon meat or give birth to a dragon: the nefarious destiny of the Witches in Dragon Star Varnir [Mechanic]

Dragon Star Varnir is a JRPG developed by the partnership of Compile Heart and Idea Factory. In the game, Visual Novel sections alternate with dungeons exploration, moral choices, and turn-based battles. The battles are especially unique since everyone can fly, dividing the battlefield into 3 different levels. While this adds tactical decisions during normal fights, it is even more important during boss fights, because some dragons are so big that the different body parts occupy all the levels. However, there is an even more interesting and unique mechanic, very well integrated into the lore and the world-building of the game that I will describe in the following article.

The world of Dragon Star Varnir is a grim and dangerous place. Dragons roam around, challenging the bravest knights and warriors to control their population, and then there are witches, women with powerful abilities forced on feeding on dragons. In this world where everyone is at war with everyone, there are even darker secrets involved in the dichotomy between witches and dragons. In fact, witches constantly fight the biological impulse of giving birth to a dragon. Sadly, the harsh truth is that every dragon was before a witch that was unable to control this horrible event. Dragons are some kind of embryo or parasite living inside witches’ bodies, a mysterious process that will need a lot of effort for the player to be discovered, so I will minimise spoilers. A witch can control the development of the dragon by eating dragon meat or drinking their blood, a procedure that every witch finds extremely repulsive and disgusting. But when your life is at stake, and the alternative is having your body ripped by a dragon, there is not much to question about. Witches hunt dragons in order to feed on them, delaying their transformation that will generate a new dragon. Somehow, this is an extreme form of cannibalism.

If a witch refuse to feed on dragons for a long time, she will start to starve, quickly triggering the maturation of the dragon inside her. And the ending is not only sad, but extremely painful and violent. After the pain will get uncontrollable, the dragon will emerge from the witch’s body, ripping it apart in an explosion of blood. The newborn dragon will get immediately aggressive and feral, losing any humanity that the witch could have, usually attacking the other witches that before were friends.

The interesting novelty is that this constant struggle between feeding on dragons or giving birth to one is also integrated into the gameplay. This feature will not directly affect party members, since they are adult and veteran witches, which will consume dragon meat on their own. But for the young and inexperienced “Little Sisters,” this is a very delicate issue. These young witches are still fighting against the repulsive need of eating dragon meat, a disgusting practice that will keep them alive. These little sisters are waiting at home while the adult witches hunt food, but every meal is a battle for them. In the beginning, this struggle will be only part of dramatic cutscenes, but then, it will become part of the gameplay.

The Little Sisters need a constant flow of dragon meat or blood in order to retain their humanity and survive. Each sister will have an icon associated with her level of happiness, and the player should take care of it. Because if the face becomes angry, there is a clear chance that the poor little sister will run away to give birth to a dragon. Maintaining stable the mental sanity of the sisters by giving them dragon meat is essential to achieve the best endings. However, the process is very challenging and complicated, and very few details are actually explained inside the game. Because if dragon meat can be obtained by killing any enemy around the world, the timing can become quite a challenge due to a hidden internal clock. Wander, explore, or fight too much in a dungeon, and the next time you will go back home one of the sisters could be on the verge of going insane, because their happiness will constantly decrease with time.

The game should be a good balance of collecting meat and advancing the story, while remembering to leave the dungeon if too much time passed, so the dragon meat can be delivered to the sisters. And there is also another problem related to another metric, because if you “overfeed” the sisters, they will also go insane. After all, who wants to be force-feeded dragon meat if not strictly necessary to survive? Fail to correctly care for the little sisters, and they will run away to give birth to a dragon. Each sister will run to a different area and will transform into a specific dragon, which will roam in that region as a hidden boss fight. So, by failing the quest of the Little Sisters, the best endings will be locked away, but it will be possible to face secret bosses.

The constant dread of playing the game while being worried about the sisters, plus the balance between farming meat and experience knowing that each minute spent in a dungeon could send the sisters mad, transform a common JRPG game into a complex fight for survival. This is a truly interesting and unique mechanic that not only moves Dragon Star Varnir toward more survival-horror atmospheres, but is also well-integrated inside the dark and grim world that was created for the game.

The most unusual Demons from the Japanese dungeon-crawler The Lost Child

The Lost Child is a quite obscure Japanese dungeon-crawler released for PS4, Vita, and Switch, and published in the West by NIS America. The game is a spin-off and a sequel of El Shaddai, an action game with a peculiar and unique aesthetic set in the Biblical Heaven. Even if the story is now set in modern Tokyo, Lost Child is also based on biblical figures and references, featuring a cosmic war between angels, demons, and fallen angels. And of course, the humans are in the middle of this.

The gameplay alternates a first-person dungeon-crawler exploration with turn-based battles, which share an interesting similarities with Shin Megami Tensei franchise. Because if a cosmic battle against heaven and demon sharing the names of gods around the world and the different cultures was not a sufficient reference to Shin Megami Tensei, the protagonist has also the ability to capture and purifies demons to join the party. Specifically, the protagonist can in fact capture demons by using specific bullets of a heavenly gun.

The bestiary of Lost Child is very interesting, with mythological creatures and gods portrayed with a very uncommon design. The enemies are divided into three categories: Angels, which are mainly gorgeous anime-like characters, Fallen Angels, peculiar robot-like figures with complex architecture and shapes, and Demons, the most variegated and twisted designs in the pack. The captured demon can also use Karma to level up and evolve, changing into three different forms.

In the following article, I selected the most interesting and unusual Demons from the Lost Child. In general, I will only share the base design, but if some demons will have a very different and unique evolution, I will also include that one. If you like the article stay tuned, because next time could be the turn of Fallen Angels.

  • Hades

The ruler of the Greek underworld and god of death was never such alien or bizarre before. The demon can only be defined as a green organic mass that looks like an eldritch rotten pumpkin, including wings and two red spheres that could be the eyes. However, the most disturbing and interesting details are the “legs” made of a sort of dead bodies composed of a green substance, missing the head and using their hands to support the creature. If they are not tormented souls serving the god of hell, I have no idea of what else they could be. In the final evolution, the demon’s body will break like a seed, freeing a big flower on the top, and revealing a creepy skull previously hidden under the green structure. Strangely enough, the demon is associated with the wood element, and it is vulnerable to fire. However, the creature is a deadly opponent and great addition to the mid-game party, with high defense and strong physical attacks, including a skill known as Assassinate, very fitting for Hades.

  • Old Ones

A creature inspired by Lovecraft’s mythos, the Old Ones are a race of alien being serving old gods such as Cthulhu. In the game, the Old Ones are powerful demons infesting especially the 100 floors dungeon of R’lyeh. The appearance is quite interesting, with the alien creature portrayed like half-born from a cosmic egg, a grotesque mass of green flesh and tentacles still in part fused with the shell. In the following evolutions, the creature will gain more colours, also twisting quite drastically its shape in the last form. The Old Ones are wood demons, with strong defence and quite dangerous, able not only to boost their attack but also to inflict multiple wounds by summoning wood branches and tentacles.

  • Echidna

The mother of all the monsters in Greek mythology is an interesting demon, and one of the most powerful. Echidna has the upper body of a sort of female elf, with white hair and purple skin, wielding two different swords. However, at the waist, her body will twist in a mass of raw flesh, and will then transform into a gigantic and obese worm with wings. The contrast of the female humanoid with the grotesque worm creates a dynamic and original design, symbolising fecundity and the ability to procreate dozens of monsters. Interestingly, in the final evolution the demon will gain butterfly-like wings and a more epic design. The demon can be recruited and faced early on, and she is one of the most versatile allies in the entire game. Because even if Echidna is a wind demon, she will learn practically every elemental magic, making her a great magical attacker for every battle.

  • Kerberos

The three-headed dog guarding the Greek underworld is instead portrayed as a sort of aggressive baboon. The body is covered in orange fur, with yellow skull patterns. The head is big and long, with three dumb-looking faces with different expressions, the only connection with the original three-headed Cerberus. The demon will change quite drastically in the last evolution. In this case, the faces will dispose circularly on a bigger body, now looking more demonic and less dumb, while the tail will also morph in a sort of branched tentacle. Three long spikes will now come out from each face. The demon is one of the first encountered, a weak but useful foe associated with the fire element. Kerberos is a physical attacker, showing useful skills to damage the same target multiple times, making it an aggressive party member that will also learn powerful fire spells.

  • Baphomet

A classic demon as a reference, Baphomet is an evil entity usually associated with goats and the Black Mass. However, the design in Lost Child goes in a disturbing and creepy direction. The creature is a giant goat head, a sort of spider supported by four short legs, with a long white beard. Everything in the face of the creature is completely nightmare-inducing, from the yellow eyes to the long ears, but the giant human-like mouth gains the first prize as the most disturbing element. The following evolutions slightly change the face and the colours, with the final one being completely black instead of white. Strangely, Baphomet is a water demon, but it uses mainly physical attacks and spells to boost its strength.

  • Kraken

The legendary beast scourging the seas is here represented in a twisted and unique way. The face is an alien shape full of octopus-like eyes, while the body is a swollen and amorphous mass of tentacles. The Kraken also exhibits humanoid features, specifically the three clawed arms. The final evolution is not that incredible, the main change will be the face, now bigger and longer, very similar to the head of a squid. The Kraken is a common enemy in the water related dungeon of Umeda, and it is of course a water demon, which possess strong elemental magics very useful against fire enemies.

  • Shiva

A humanoid creature with purple skin and four arms, dressed in light clothes and with the face completely hidden: except for the ascetic position it will be quite difficult to recognise the Hindu god Shiva in this design. Multiple floating eyes surround the mysterious creature, an extension of its body and a very creepy detail. The evolved form is an upgrade of the original one, with a more divine look, golden accessories, a bigger throne with cobra heads behind, the floating eyes are complete of eyelids, and it is now wielding a big hammer. Shiva is an incredibly powerful demon, a secret boss, and an endgame party member with devastating physical attacks. Shiva can attack all the enemies with Acid Rain, a powerful skill able to inflict not only heavy damages but also all the negative effects. The demon is also strong on the defense side, generating mirages that could prevent all the damage for 3 turns.

  • Orthrus

The brother of Cerberus, Orthrus is a two-headed dog defeated by Hercules, also represented in Lost Child as a grotesque baboon as well as Kerberos. In contrast with its brother, the demon has a more brownish fur, misses the arms, and has a snake as a tale. The face is definitively the most unique element in the design, a huge mouth with few but long teeth and two heads, one for lip, with a more demonic and less dumb expression compared to Kerberos. The final design is a completely new look, even more bizarre than this one. The body structure will change in a sort of “Y,” with two female and almost angelic faces at the end of each branch. The body will instead remain quite similar, with an even longer snake as a tail. Orthrus is found in the very last dungeon, a demon connected to electricity, with strong lighting attacks able to hit multiple times, and even a spell that can debilitate and weak its enemies.

  • Owatatsumi

Owatatsumi is the Japanese god of the sea, and in The Lost Child it is a sort of old humanoid figure heavily connected with water. The old humanoid shows its age with the long white beard, while the grotesque blue and swollen head conveys its demonic nature. The hands are just tentacles, coming out of the robe to wield a staff surmounted by a seashell. The old god is traveling on a giant turtle, which is also the creepiest detail of the design, with a very evil face and a grinning mouth too human to be on a turtle’s face. The final evolution can be clearly called a majestic and primordial sea god: the head will become bigger and longer, like a sort of fish-like structure, while the tentacles will grow and become bigger. Everything will improve, including the staff that it is wielding, now a lot bigger and more elaborate, and also the turtle will get huge, while losing its creepy face for a more flat structure. The demon can be found in the final dungeon and it is a strong creature unexpectedly focused on physical attacks and boosting.

  • Okada Izo

A Japanese samurai is reborn as a grotesque demon with a really complex appearance. The head is a giant multicolored eye, with greasy white hair, while the body is a twisted mass of flesh. Instead of normal arms, the creature has multiple tentacles, while the red body is composed of pieces of raw flesh forming ghostly faces. Everything in the design is symbolic, probably highlighting the regret of the samurai for taking many lives. The giant eye is in fact crying a white goo, while the body is covered in the screaming faces of the people that it killed in its previous life. Elements of its past life are still part of the design, such as the armour on the shoulders, or the big and rusty sword that it now wields using the tentacles. The last form is just a sort of heroic upgrade of this one, with a more fierce pose, long orange hair, and the sword now is more magnificent and surrounded by burning souls, without a huge overall change into the design. The demon is middle- to high-level, encountered in the second half of the game. As expected from a samurai, the demon is focused on inflicting physical damages, with skills allowing it to attack a single target multiple times.

The most dark, horror, and gothic indie Metroidvania

Castlevania and Metroid created their own genre, which is getting a second youth with indie games: metroidvania. These games have in common a 2D aesthetic, a huge map to explore with interconnected elements, many secrets and hidden areas to discover using different abilities, backtracking, and in general a huge focus on exploration. Usually, metroidvania games have a wide bestiary, with many standard enemies, and gigantic bosses to defeat. RPG elements are also quite common, including statistics, levels, and dozens of different equipment.

Surely, both the founding fathers of the genre have their amount of horror elements. Metroid features grotesque aliens and an overall lonely and oppressive atmosphere. Castlevania is also not second in this, with one of the most inspiring dark fantasy/gothic settings, and with a bestiary full of the most disturbing creatures (and you can check them here: Most dark, scary and creepy bosses from Castlevania saga). However, with the new flow of indie metroidvania, the genre got even more refreshed with novel dark, horror, or mature atmospheres.

In the following article, I will describe some of the darkest or horror metroidvania games. I will include only proper metroidvania, with a 2D art-style, a huge interconnected world, and multiple abilities or RPG features needed to explore.

I will focus on metroidvania with dark, horror, or in general a mature atmosphere. It could be for the oppressive or depressing environment, for the brutal combat and the violent gameplay, or for the disturbing elements: whichever is the cause, these games are more mature-oriented than the average metroidvania. Moreover, for each of them, I will analyse the world-building, the bestiary and the bosses, and why the atmosphere is considered dark or horror. The article will be constantly updated, so new fitting games will be included once released.

Vigil: the Longest Night

Details: Vigil was a surprise last year, and one of the best examples of metroidvania directly infused with horror elements. Vigil is a great homage to the legendary Bloodborne, sharing with it the dark themes and the oppressive atmosphere. Vigil is a pure metroidvania with strong RPG elements, including a deep level system, skills, and different playstyles. From fast daggers to the complexity of the bow, the player has the power of shaping the gameplay. The exploration is a focal point, with a giant interconnected world full of secrets to discover, including alternative bosses, hidden eldritch realms, and dozens of different armors and equipment. This is where the game gets even more interesting, because every item not only is very original and interesting to use, but also well characterised in terms of lore.

World: From dense and deadly woods, to haunted mines and a ship graveyard inhabited by deep-sea eldritch terrors, the world of Vigil is a huge and twisted net touching common dark fantasy tropes. Secrets are everywhere, and backtracking is crucial to find the most hidden places and battles, and secondary characters have different quests to fulfill. Moreover, the same world will be visited under three different “conditions” (avoiding spoilers) and many areas will change according to this, with new enemies, items, and bosses. And to conclude, how to forget about the secret eldritch realms accessible only while playing special ocarina on an altar in the depths of a crypt?

Dark/Horror: The horror in Vigil is a very strong element. Secondary characters will face horrible consequences, death and disease are everywhere, and grotesque experiments on innocent people are only the tip of the iceberg. Moreover, secondary quests could end up really traumatically, and not every character should be trusted. Church and religion are also a twisted trope present in Vigil, painting an ever more dark but believable fantasy world.

Bestiary: The grotesque enemies are pure nightmare-inducing, and masterfully portrayed with a gorgeous art style. Every area has several new enemies, with very interesting designs and behaviors. For example, the ship graveyard is full of complex deep-sea creatures, including a sort of snail-woman and an aggressive mass of tentacles. The bosses have also a nightmarish and original design. I challenge you to meet the Broodmother and her spawn without being heavily disturbed (and you can know more about her in my article: Monster of the Week: The Brood Mother and her progeny (Vigil)).

Knifeboy

Details: An unexpected surprise for a crazy metroidvania based on indie comics, set in an insane sci-fi world full of charm and personality. The art-style is very detailed and interesting, especially the enemies’ design and some locations. It could be raw sometimes, but it is full of passion and able to paint a unique world full of colors and details. The combat side is not incredibly deep, with very standard combos and easy but really interesting boss fights. Platform sections are quite challenging, but never tiring, thanks to really well-planned checkpoints. Of course, as a one-man game, there are some bugs that can be a bit bothering. However, the experience is so original and interesting, that I kept playing regarding the bugs. The world, the dozens of characters, the crazy bosses, and the many secrets are too interesting to stop playing. 

World: The game is based on a quite big open world, with a lot of secrets and places to explore. A day/night cycle allows different layers of exploration, with some places opening only at a specific time, and different monsters or collectibles only available at night, for example. Each new area is a completely novel and bizarre environment, from a DJ club, to a sort of pseudo-gothic asylum, and an arena managed by a group of pig-butchers on stilts. The game is a crazy tornado of surprises and pulp references, with secondary quests allowing to access a UFO or to see the true face of Santa Claus. Also, the game is a proper metroidvania, since new upgrades will allow the player to explore new areas.

Dark/Horror: Knifeboy cannot be defined as a horror game under any category, but it surely meets the requirement to be in this article for the high level of violence and the grotesque and twisted characters/enemies. Knifeboy is like an indie comic book targeted to a mature audience, a game that is not afraid to show enemies cut in half and some nudity here and there.

Bestiary: This game knows how to create original enemies and bosses. If common enemies like a sort of colorful humanoid bat that looks like a Mexican painting under LSD are already interesting, including sort of pig-like creatures walking on stilts, the bosses have an especially great design. They are difficult to describe using words, just imagine the most gigantic, colorful, complex, and bizarre abomination, and probably you will not be even close to what you will face in Knifeboy.

Blasphemous

Details: Blasphemous is probably one of the most well-known games in this article, a huge metroidvania with strong horror elements inspired by Catholicism. The game is challenging and full of surprises, with an amazing world to explore and many tough fights. Blasphemous has also incredible pixel art, able to convey the brutality of the fighting system in every red pixel. If you are looking for a challenging, brutal, and horror metroidvania, Blasphemous should be your first choice.

World: Custodia is a dark and cruel world shaped by the Miracle, a sort of unknown force that molds the bodies of true believers in horrible ways. The world is beautifully interconnected, using really original and haunted places. From the cold peaks in which is hiding a monastery of nuns that self-burn their bodies, to the rooftop of a gothic cathedral inhabited by twisted angelic beings: Blasphemous knows how to create a complex world using religious references. The secondary characters are an integrated part of this world, insane being touched by the Miracle, forced for example to be constantly whipped by an invisible force, or to be forever imprisoned half-fused in an olive tree.

Dark/Horror: Blasphemous is probably the most horror and brutal metroidvania that is out. Every detail is pure horror and nightmare-inducing, especially how religion is twisted in favor of horror. Moreover, the fighting is brutal, with gory executions when enemies are at low health.

Bestiary: Every single enemy is a grotesque combination of religion, Spanish folklore (the developers are from there), and pure horror. Seriously, every single enemy, from the most common soldier to the most gigantic boss, could be on the cover of a metal album. The religious elements combine with the creatures in very original ways, including a boss inspired by the “Pietà” of Michelangelo, or others with Church architectures inserted in their design (more info here: Catholic Art and Architecture in the twisted world of Blasphemous: how religious iconography can build nightmares). Plus, the bosses are simply great, especially the giant skeleton of a cardinal lifted by giant hands, and the disturbing Exposito, which can only be described as a sort of gigantic baby Jesus that will literally rip the main character in half (which also have an analysis here: Monster of the Week: Exposito, Scion of Abjuration (Blasphemous)).

Demoniaca Everlasting Night

Details: Heavily inspired by Castlevania Symphony of the Night, Demoniaca is a metroidvania combining horror elements, light adult contents (brief sex and nudity), and a combat system typical of fighting games based on combos. The RPG elements are many and well-integrated, including many different items and random drops. However, since here on Dark RPGs you can already find a complete review of Demoniaca, I will just leave here the link for more details: Demoniaca Everlasting Night Review: a dark and mature beat ’em up metroidvania.

World: As mainly inspired by Castlevania, Demoniaca is entirely set in a gigantic castle. There are of course different sections, for example the library or a hall full of mirrors. The exploration is rewarded not only for secrets but also for hidden merchants and moves. A great feature is the special mini-bosses marked on the map, but almost impossible to defeat without coming back much later at a higher level. Some characters are quite original and brilliant, such as Boxman, a mysterious man teaching powerful techniques hiding his face inside a box.

Dark/Horror: Demoniaca is a violent game, especially in the pixel art cutscenes and for some brutal elements in the background. The game has also mild adult content, including brief sexual scenes that appear like random illusions, or nudity, especially involving secondary bosses, or for example, a character seating on a throne while surrounded by half-naked slaves.

Bestiary: Part of the bestiary is not very original and inspired. For example, there are too many variants of skeletons, and some creatures are really too similar to iconic enemies from Doom. However, there are some interesting surprises, especially in the library section and in the second half of the game, with creepy murderous nurse dolls wielding massive syringes or hack-saws. Another brilliant example is a gruesome spiked-skeleton with inserted body-parts that is able to inflict the negative status “thorne,” transforming the main character into a sort of Hellraiser-ish version of herself.

Dark Light

Details: The game is still in Early Access, but is clearly showing its potential. The strongest point of Dark Light is its sci-fi horror atmosphere, a sort of 2D Dead Space, which is something not very common for a metroidvania. Dark Light has also major influences from Dark Souls, especially the level up system, based on converting fragments collecting during exploration in credits. But of course, if death arrives before the conversion, the fragments will be forever lost. The gameplay is very classic, but involving several pieces of equipment, including a firearm, a melee weapon, grenades, and a drone. New items are randomly dropped while exploring, or directly as loot from defeated enemies.

World: Earth is now a rotten wasteland, a harsh landscape roamed by deadly creatures. The atmosphere is always oppressive, and the exploration extremely cautious. Even if the world is still under construction, there are already several paths and secret areas to uncover, usually using keys collected in other zones. The backgrounds are gorgeous and haunting, able to paint a horror sci-fi world, with a gigantic robotic hand emerging from the ground, or a titanic cybernetic skull, just to mention some examples.

Dark/Horror: The atmosphere is dense and oppressive, the combat is brutal, and dying is a common occurrence. Enemies will ambush from dark places, and, several times, a double-tap will be necessary to check if an enemy is truly dead. The silence is a constant threat to your psychological health while exploring the wasteland, the equivalent of exploring the silent ship in Dead Space.

Bestiary: In Dark Light, you can expect a series of quite classic but always interesting examples of horror sci-fi creatures. Invisible mutants, deadly parasites, grotesque zombies with huge chainsaws, or chaos warriors in full armor and with a Gatling gun: if you can name a creature-trope from horror-scifi, it is probably in the game.

Salt and Sanctuary

Details: One of the first examples of recent dark metroidvania, Salt and Sanctuary tried to be the first 2D Souls-like. And the experiment succeeded with really good results. The combat is stamina-based, tough and challenging, while the RPG elements are deep and satisfying. The dark world of Salt and Sanctuary is open to any gameplay, with hundreds of weapons, items, and enchantments to collect. The game is also highly-replayable, including a NG+, multiple endings, and branch-based secondary quests with more than one outcome.

World: The world is entirely contained in a huge island collecting castaways from many shipwrecks. The island is a mysterious and ethereal place, a sort of limbo or border between life and death. Salt is the main element comprising the creatures living on the island, a sort of “soul,” but also the main currency to level up in the game. Moreover, the island is a very variegated environment, with cursed forests, colossal pyramids, hidden lakes, and amoral alchemic labs. The world is a twisted maze of areas very well connected, especially vertically. There are also many hidden elements, including bosses, locations, and even obscure guilds to join.

Dark/Horror: The game has a lonely, dark and oppressive atmosphere, a constant tale of silent areas and suffering. In this sort of limbo, there is no space for anything funny or light-hearted, but only for speechless sufferance and existential doubts. The backgrounds, especially of the bosses, retrieved through the bestiary or item descriptions in proper Souls-like formula, will also add drama and horror to the already heavy atmosphere.

Bestiary: From the half of the game, every monster will be incredibly original, dark, and disturbing. From murderous dolls to living cages waiting to imprison the player to be their new son, every new enemy is an unexpected and challenging surprise. The bosses are especially disturbing, imbued with madness or extreme loneliness. A terrifying example is the skinless, a giant alchemic abomination without skin, or a metal “tree” made of tortured bodies that need to be destroyed to defeat the boss. But my favourite example is probably the Queen of Smiles, a deranged and grinning maniac with a psychotic background, which loves blades and decorating her room with corpses.

Minoria

Details: Minoria is the spiritual sequel of Momodora, with a different art-style and the same developers behind it. As the famous Momodra before, Minoria is a proper metroidvania, just on a slightly smaller scale. The game features interesting RPG elements, including levels, and different pieces of equipment to create the best strategy for every situation. The art-style is gorgeous, and it is perfectly fitting for telling a fairytale. But be aware, behind the fable-like facade, Minoria hides a more dark core, touching important topics from religion to coexisting with nature. Minoria is also full of secrets, including a hidden boss after a set of deadly challenges, NG+, and multiple endings. But what I really liked is that, if the player is able to defeat a boss without receiving damage, a secret item will be unlocked, and this is different for every boss.

World: Minoria is almost completely set in dark and labyrinthine corridors, from the majestic beauty of a cathedral to the inner depths of a torture dungeon. A forest can also be accessed later on, creating a more complex world, but still embraced in a decadent and sad-inducing atmosphere. There are also hidden chambers with a lot of interesting details and furniture scattered around. Plus, the player can retrieve diary pages that will unveil even more the dark lore of Minoria.

Dark/Horror: Even if the fairytale art-style could make you think otherwise, psychologically speaking, Minoria is probably the darkest game on this list. Gray morality is at the core of the experience, including delicate topics such as being brainwashed by religion. Several elements will make you feel unexpectedly uneasy, including bosses begging for their life, or random prisoners asking to be killed to ease their sufferance. Gore is also present in the background, including corpses and walls drenched in blood. The atmosphere is so interesting that I also wrote a complete article about it, here is the link if you want to read more about: The gray machinery of the Inquisition behind the cute facade of Minoria [Review and Analysis].

Bestiary: The number of creatures is not as wide as other titles, and the regular enemies far too common, but bosses and sub-bosses have interesting designs, with complex and inspired battles. The main enemies are usually witches or ancient nature forces. The witches tend to have different shapes, for example a gigantic and sexy succubus. Force of nature can also become particularly interesting, such as a giant slug-plant woman.

Grime

Details: Grime is an unconventional metroidvania with a gorgeous graphic, tough and challenging combat with elements from Souls-like, and a quite unique setting and protagonist. The main character is in fact a silent humanoid black-hole, born from a complex cataclysmic phenomenon. The creature will finish purposeless on a mysterious rock world, where heavy creatures will satisfy its craving for “mass.” Grime has everything a RPG can desire: multiple weapons associated with different scaling skills, stats to upgrade with enough experience, and unique abilities to unlock by hunting and devouring specific prey.

World: The world is a joy for the eyes, a surreal land that looks like a desert alien world from a Dalí painting. Light elements, gigantic statues, and primitive art and paintings are all part of this living world inhabited by cryptic creatures and ruled by mysterious principles. The inhabitants of this surreal land are tribal rock creatures, often obsessed with the perfect proportions, since they have abnormally big heads, or with chosen ones able to “carve” the rock. Every encounter is cryptic and hermetic, part of a world that is as difficult to understand as fascinating to discover. 

Dark/Horror: Grime is not a horror game by definition, nor it is violent or scary. However, the game is entirely enriched in an uneasy and unpleasant atmosphere related to the fact that the protagonist is basically an embodied law of destruction. Because being a humanoid black hole is not just aesthetic in Grime. Devouring every enemy is a base skill in the game to evolve and become stronger, by completely absorbing the mass of the enemies inside the black hole. The inhabitants will be fascinated and terrified by your presence, some will even worship and offer sacrifices, while the black hole will explore the planet and purposelessly devouring everything. Some scenes before the boss fights are also highlighting this uneasy feeling of “am I the bad guy?” as it was beautifully executed before in Nier. For example, the Whispering Mothers are two fleshy being made of a plant, sort of dancing flowers with a mouth in between. They are somehow teaching art to the stone creatures and, when the protagonist will approach, one of the rock people will run to the Mothers asking for help, in a twisted and reversed heart-breaking scene.

Bestiary: The world is full of dangerous and feral foes, almost all of them made of solid rock or tentacle-like plants. In this hostile world, any enemy should be underestimated. Some rock people use primitive weapons of stone and bones, while other beings are ferocious and aggressive masses of teeth and claws. Other creatures are like incomplete or broken statues, almost static beings that fly around attacking like drills, or will stealthily throw spears while hidden as normal art pieces. The bosses are gigantic and complex beings, where chaotic organic life meets the lifeless stone. An example of this is Amalgam, a grotesque creature with multiple arms and eyes, firstly hidden inside the gigantic head of a statue like a sort of alien hermit crab.

Wacky characters, insane machines and hypnotic mushrooms in “Let It Die”: how to build a lobby in an explosion of style [Mechanic]

Let It Die is a free-to-play game developed by Suda51’s team, so of course is 100% pure insanity. The main aim of the player is to climb a dystopian tower, fighting monsters, invaders, collecting new items and experience, while advancing each floor toward the top. The combat is souls-like inspired, with a stamina bar dictating the possible moves, light and heavy attacks combined with dodging, and easy ways to die if the enemies are underestimated. If this looks quite standard, everything else is totally over-the-top.

The tower was mysteriously built after a cataclysm on a small island close to Tokyo. Since that time, the tower has continued to grow, attracting different kinds of people. Powerful lords started to live and take control of the tower, building a sick new system where even the dead bodies are brought back to life to fight for them. Meanwhile, adventurers started to climb the tower, hoping to claim the mysterious treasure hidden on the top. The ground floor of the tower is a small shopping mall connected to the metro station, with a fountain in the middle, bathrooms, and elevators. But it is exactly this place that became the base camp of all these crazy operations, attracting the most insane and illegal merchants to open a shop there. And it is exactly the ground floor that works as the hub or lobby of Let It Die.

The lobby of the tower is the equivalent of a small town, with a lot of services and bizarre characters to interact with. Even if many places have standard services, like to buy items or to level up the player, the shopkeepers and the setting are anyway insanely original and plainly weird. Because nothing is as it should be on this floor. The bathrooms are brainwashing prisons, freezers are where clones are stored, and the metro station works as vehicles to invade other players. And these are only the standard things.

Let’s have a look at the most whacky places and services available in the lobby.

Fighter Freezer

Each death in Let it Die is permanent, there is no other way to say it. However, with enough gold, dead bodies can be collected and reanimated. On the other hand, new clones can be produced to rescue the dead body of the previous character, who will be wandering like a bloodthirsty revenant on the floor where it died. Because the lords of the tower are controlling death, and facing your previously dead characters is not a surprise The freezer is where the available characters are stocked, hanging like dead meat on chains. New characters can also be recruited here, or they can be organised for different tasks, for example, to defend the base from other players’ raids. Alternatively, unused characters can also be sent to scavenge and hunt on other player’s floors. They will become invaders, challenging enemies for the other players to face, and they will come back with scavenged materials as a reward after enough time passed.

Metro Front

Let It Die also involves a multiplayer attack-defend the base mode, freely playable by everybody. But of course, also this mode is totally insane. To access the Raid mode, the player needs to talk to a weird-looking robot, similar to a train operator mascot, with a creepy smile on the face and electric blue eyes. The small robot is totally insane, and will direct the player, with the voice full of crazy enthusiasm, to the different raid modes and the power-up for the base: “Thank you for riding with us today.” Then, the attack mode is very straightforward: jump inside the metro and it will bring you directly to the enemy base. The other players will leave their characters heavily armored to defend the base or, if you are lucky enough, it will be defenseless. With enough time available and with the defensors killed, the other players’ resources can be looted from their base.

Prison Bathroom

There is a random and bizarre consequence of the train raids. Sometimes, when another player’s character is defeated, its body will stay on the ground. These characters can be kidnapped and brought back to the base. They will end up imprisoned in the bathrooms, now reconverted in jails. The kidnapped character will be trapped there, wrapped in plastic, and with a visor on their face, totally isolated from reality and in constant sufferance. The characters are indeed undergoing a brainwashing procedure, which has a fixed time to be executed. After the time has passed, the kidnapped fighter will be totally brainwashed and ready to join the player’s team. However, the other player will not stay quiet when one of his characters is kidnapped, and will have the chance to attack the base where is imprisoned in order to free him.

Shop “Choku-Funsha”

The regular shop of Let It Die is probably the less inspired section of the lobby. Here, the player can buy weapons and armors, but also access the R&D section to develop and unlock new equipment using the correct materials. The owner of the shop is a legendary merchant, with the head protected inside a glass, and surrounded in the background by weapons drenched in blood, including chainsaws. The fact that the shopkeeper is definitively too similar to an infamous German dictator doesn’t anyway help in giving more identity to this shop.

Vending Machine “Hernia”

A regular vending machine but with a creepy twist and design. The machine will sell different items that will change periodically, which can be acquired by using different kinds of currency. One of the main forms of payment is called Bloodnium, and it is linked to blood. But the interesting detail is the execution of this payment. Small spiked cylinders will appear like a medieval trap, and the character’s hand will be voluntarily wounded by this instrument of torment in order to extract the payment: blood. The fact that the shop is called “Hernia” is also causing additional uneasy feelings.

Mushroom Club

The Mushroom Club is probably one of the most bizarre shops ever seen in a game, owned by an insane woman. She is dressed only in a bikini, covered with tattoos, with mushroom-like hair and tribal fangs covering half of her face. The legends say that she was a backpack traveler that went insane after trying weird fungi, and now is managing her tribal shop inside the tower. When not working, she will perform a lap dance on a giant umbrella, but her role is far more bizarre. Like a post-apocalyptic shaman, the woman will provide a psychedelic mushroom soup to her customers, which will give very unexpected results. In fact, after trying the different soups, the player will receive adhesives to wear like tattoos on the different characters. Some adhesives, or decals, are only temporary and will disappear with the death of the character, while the premium ones can be recovered even from dead bodies. The scene when the character drinks the psychedelic soup is particularly weird, and the decals will appear from a rainbow of colors sparkling from the empty dish.

Quests: the Voyeur Visor

Secondary quests were generally selected by talking to a cute girl in the arcade room, another section of the lobby that can be accessed from the fountain (check the associated section). However, after an update, quests can now be selected in a more bizarre and peculiar way from the main hub. A visor supported by the statues of two kids now works as shortcut to access the quest menu. The kids look like characters from an old Japanese manga, or from some school propaganda, jumping very happily while working as support for the visor. By accessing the visor, the player can select different quests to complete, from “collect x items” to “kill x enemies,” or sometimes more variegated challenges like complete specific floors without wearing any armor. Interestingly, the visor also works as a sort of voyeur machine. In fact, after finishing to select quests, the player can see the face of the girl in the arcade room. The girl seems unaware of the player’s presence, and she looks like busy watching something and will often comment “No, no , not there” or “He hide what and where!?”

Mingo Head

Experience hardly collected during the explorations inside the tower needs to be used inside the lobby to level up the characters, deciding which attribute to power up, from strength to agility. And of course, to use the experience, the player has to interact with a creepy creature that looks like a living brain combined with a motorbike in a sort of cyberpunk jellyfish. The grotesque creature will directly inject tubes with jacks inside the character’s back, and, in a painfully-looking scene, highlighted by disgusting sounds, the experience can be used to power up the characters.

The Arcade Room

A lobby inside the lobby, the arcade room is a meta-game festival, and another stylish insanity added to the game. As if Let It Die was just an arcade game that the player is actually trying to beat, the Arcade Room works as a place for hints, advice, and to better understand the lore. The different characters will tell you how to get better in the game, like if the player was really asking help from other players. Moreover, a radio can be selected to change the music, while a mysterious machine provides information for the lore of the game in the form of old and distorted VHS movies.